Proof I 證明I

Signal channel video, 1920*1080 Full HD MPG-4, 17'34”
Photograph, igital print, 50*50*1.5cm, 5 pieces
2013

For my project Proof I, I invited the most important people in my life to participate: my parents, relatives, old lovers, best friends and others. I made arrangements to meet them, perhaps at their house, a coffee shop we had frequented, or perhaps the place where we first met.

I gave each a video camera and asked, “If I were to disappear off the face of the earth suddenly , and you could have any part of my life, what part would that be?” A part of my life could be anything I own, an individual characteristic, or perhaps one of my experiences. Then the person holding the camera, one of those people I am very close to, would answer the question while filming me, and perhaps the camera would shake when they heard my question. My subjects did not know what I would be asking before the session started, and I had no way of knowing what they would answer, so my immediate response was recorded on the video.

For the second part of the project, I asked the same participants what they would leave me if they were to disappear. Perhaps it would be scenery they had enjoyed, music they love, a favorite scene from a movie, or some object they own. I then used various methods to recreate the moment that the participants described, so it feels like we are returning to the place where the memory was created.

在《證明 I》這個計劃中,我請我目前生命中,最重要的幾位核心人物:父母、親人、舊情人、摯友…… 等,跟他們相約在一個地點進行這個作品計畫,可能是他們的房間、我們最常去的咖啡廳、或是我 們第一次相遇的地點。

他們拿攝影機拍攝我時,我會問他們:「如果我即將消失在世界上,你可以從我生命中取走一個部分, 那會是什麼?」這裡面包括我所擁有的物件、個人特質、我所經歷過的事件……等。所以攝影者── 這些與我最親密的人,他們在攝影機後方回答,同時必須持續手持攝影機拍攝,畫面可能會因聽到 問題的反應而晃動。這些拍攝者都不知道我要問的問題,我也無法預測對方的回答,因此我的反應 也會在被攝錄在影像中。

第二部分是我請這些參與者,反向提供給我若是他們消失,他們想讓我保留的部分,可能是他們看 過的風景、喜愛的音樂、最愛的電影畫面、或是他擁有的一個物件等。這部份請他們提供給我詳細 的細節,我再用各種方式還原那個當下,像是我與他們重新處在那個記憶的現場。

「取走我生命的部分,並擁有它」是這個作品的命題。取走的部分不一定我最愛的,也許是我從未 意識到自己的面向,而這些親密的人他們要給予我的部分,也許不是他們最珍惜,但是卻與我有更 深刻的連結,在這樣的交換過程中,我與他們的關係與歷史被重新建立。

For my project Proof I, I invited the most important people in my life to participate: my parents, relatives, old lovers, best friends and others. I made arrangements to meet them, perhaps at their house, a coffee shop we had frequented, or perhaps the place where we first met.

I gave each a video camera and asked, “If I were to disappear off the face of the earth suddenly , and you could have any part of my life, what part would that be?” A part of my life could be anything I own, an individual characteristic, or perhaps one of my experiences. Then the person holding the camera, one of those people I am very close to, would answer the question while filming me, and perhaps the camera would shake when they heard my question. My subjects did not know what I would be asking before the session started, and I had no way of knowing what they would answer, so my immediate response was recorded on the video.

For the second part of the project, I asked the same participants what they would leave me if they were to disappear. Perhaps it would be scenery they had enjoyed, music they love, a favorite scene from a movie, or some object they own. I then used various methods to recreate the moment that the participants described, so it feels like we are returning to the place where the memory was created.